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Danny Rampling & Billy Nasty - Sound Factory Mastermix 1995
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<blockquote data-quote="brady" data-source="post: 923329" data-attributes="member: 174"><p>a google search found this -- </p><p>The club itself was quite an achievement following a multi-million pound refit. It primarily consisted of two ‘clubs’: the Dance Factory at the ground floor, largely accessed from an entrance on Milk Street, and the main ‘venue’ on the first floor. The Dance Factory was fitted-out in an industrial style following the approach taken by the Hacienda in Manchester with metal catwalks surrounding the room and everything painted in grey with black and yellow hazard sriped painted everywhere. There was a small semi-circular bar at one end of the room and a restaurant at the other that originally had a Russian theme for some reason. The main venue room upstairs was a Mecca ballroom type of affair dominated by a dance floor with a stage at one end, A balcony around three sides of the room with two bars on the lower level and two bars on the upper level. The lighting rig in particular was outstanding and cost a fortune and featured lasers among its armoury and could be moved up and down and angled in many configurations from the lighting control desk that was positioned on the balcony. Such was the complexity of the rig that the club had its own lighting director, Kay Bottomley, who operated the huge system!</p><p></p><p>[URL unfurl="true"]http://www.birminghamroundabout.co.uk/2010/the-institute-night-club-digbeth/[/URL]</p></blockquote><p></p>
[QUOTE="brady, post: 923329, member: 174"] a google search found this -- The club itself was quite an achievement following a multi-million pound refit. It primarily consisted of two ‘clubs’: the Dance Factory at the ground floor, largely accessed from an entrance on Milk Street, and the main ‘venue’ on the first floor. The Dance Factory was fitted-out in an industrial style following the approach taken by the Hacienda in Manchester with metal catwalks surrounding the room and everything painted in grey with black and yellow hazard sriped painted everywhere. There was a small semi-circular bar at one end of the room and a restaurant at the other that originally had a Russian theme for some reason. The main venue room upstairs was a Mecca ballroom type of affair dominated by a dance floor with a stage at one end, A balcony around three sides of the room with two bars on the lower level and two bars on the upper level. The lighting rig in particular was outstanding and cost a fortune and featured lasers among its armoury and could be moved up and down and angled in many configurations from the lighting control desk that was positioned on the balcony. Such was the complexity of the rig that the club had its own lighting director, Kay Bottomley, who operated the huge system! [URL unfurl="true"]http://www.birminghamroundabout.co.uk/2010/the-institute-night-club-digbeth/[/URL] [/QUOTE]
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